Last Updated on September 25, 2024 by Adams
To choose the right lens for the Nikon d850, you must know the main concepts and characteristics; otherwise, you risk making the wrong choice. In addition, a single manufacturer may offer several ranges of lenses, not all of which will be compatible with your camera. e have compiled some of the best landscape lens for Nikon D850 in the article. We suggest you have a look at them and carry on exploring more and more.
A lens designed for a hybrid, for example, cannot be paired with a reflex and vice versa. At Canon, in particular, the Canon M range of lenses is designed for hybrids and the Canon EF for reflexes. On the Nikon side, you will need to use a Nikon 1 lens with a hybrid body and a Nikon F with a reflex.
At Nikon, within the same range, for example, Nikon F, you will find lenses for bodies with large sensors (FX) and others for bodies with small sensors (DX). Even though the cameras will accept both types of lenses, the picture quality may not be optimal.
At Canon, the situation is similar: EF lenses are made for cameras with large sensors, and EF-Ss, for bodies with small sensors. W
Whether when you buy the camera or especially afterward, it is difficult to navigate when you are interested in buying a lens. What do all the technical characteristics mean, which is the best considering your budget, what type of lens do you need, a fixed focal length, etc.…? In short, you have thousands of questions.
We all have a limited budget for photography, but it is better to devote it primarily to the lenses rather than your camera:
- The image quality depends above all on your lens. It is understood quite well: glasses all scratched and covered with fingerprints are useless, even with 10/10th on both eyes (and even if you could see in low light like a cat).
- The lenses wear less quickly than the boxes and sell much better on occasion.
We will start by scanning the parameters to consider when choosing a lens for the Nikon d850. Then we will give you a comparison of the models having, in our opinion, the best value for money by lens category.
The focal length is also generally the first information that comes out while reading the optical description: for example the focal length is 50 mm or 18-105 mm. This number tells you how your subject will be enlarged (or reduced) compared to your vision when you photograph it.
The Wide-angle lenses are critical during landscape photography to see that the lens is more significant than what you see with the human eye. It classifies 28 mm or more miniature lenses in equivalent 24 × 36 (so 18mm or less on APS-C, and 14mm or less on micro 4/3).
This type of lens is used a lot for landscape photographs where we want to capture as much of the scene as possible.
As in general, we get closer to our subject at these focal lengths, the impression of depth of the images increases, and so do the distortions due to the perspective. It would give an immersive rendering to the images, like being part of the scene being photographed.
The interest in stabilization is undeniable: at the same focal length and aperture, a stabilized lens will allow you to reduce your shutter speed by about two-speed steps (on average) to avoid motion blur.
Best Landscape Lens for Nikon D850 (Comparison)
| Name | Dimensions | Weight | |
|---|---|---|---|
| Nikon AF-S FX NIKKOR 50mm f/1.4G | 2.13 x 2.91 x 2.91 inches | 0.63 Pounds | |
| Nikon AF-S FX NIKKOR 20mm f/1.8G ED | 3.19 x 3.27 x 3.27 inches | 0.78 Pounds | Check Price |
| Nikon AF FX NIKKOR 35mm f/1.4G | 3.54 x 3.27 x 3.27 inches | 1.32 Pounds | Check Price |
Nikon AF-S FX NIKKOR 50mm f/1.4G Lens
The AF-S NIKKOR 50mm f/1.4G lens is a fixed focal length for Nikon SLR cameras. You can mount this lens either on an APS-C Reflex (small sensor) or on a full-frame (large sensor).
The 50mm f/1.4G offers a beautiful background blur (bokeh) to highlight the subject at full aperture. In addition, in difficult low-light shooting conditions, the Nikon 50mm 1.4G is very bright.
It features a silent SWM motorization for autofocus. In addition, it is possible to disengage the MAP (autofocus) and focus with the ring located on the front of the lens.
The Nikon 50mm 1.4 lens is mounted on a Nikon full-frame and multipurpose lens. So you can take street photos, do photo reports, portraits, family, etc.
The advantage of 50mm is that it is close to human vision. In addition, this 50mm lens offers minimal distortion, especially on portraits.
On the other hand, with this fixed focal length of 50mm, it will be necessary to be mobile for the shots. This lens is compatible with Nikon D865 and FX SLR cameras to perform landscape photography.
Furthermore, this Nikon 50mm 1.4 lens works perfectly with old SLRs such as the Nikon D3200. The construction of this 50mm AF-S lens is primarily made of quality black plastic. The frame of this 50mm 1.4 is made of aluminum, which inspires confidence.
You can disengage the autofocus button. It allows you to focus manually. On the body of the lens, a distance scale in “meters” and “feet” enables you to adjust the precise settings of the manual focus.
The lens focus ring does not rotate in autofocus mode, and nothing comes out of the lens, which comes in handy with a variable filter mounted on the front lens of the objective. It is sold with two protective caps, a sun visor, and a flexible pouch.
The AF-S 50mm offers beautiful bokeh at f/1.4 thanks to a 9-blade diaphragm. In addition, for taking portrait photos with a nice background blur, the 50mm f/1.4 is ideal.
Since the diaphragm goes from 7 to 9 blades, the bubbles outside the MAP take on a very round, homogeneous appearance and blend well into the blur, without too brutal delimitations. In short, the Nikon 50mm AFS has a pleasing bokeh, enough to get you into the portrait if the proximity does not bother your model.
| Pros | Cons |
|---|---|
| Build quality | The focus ring is a little too narrow |
| Good homogeneity of the sharpness | |
| Well-controlled vignetting and distortion from f/2 |
Conclusion:
The objective Nikkor AF-S 50mm f / 1.8G is much cheaper to almost similar performance for the least demanding. What sets it apart is the f / 1.8 aperture. The quality and homogeneity of the sharpness, the low distortion, and the mastery of vignetting make it a perfect reporting tool.
Nikon AF-S FX NIKKOR 20mm f/1.8G ED
It is a bright FX-format lens with a 20mm ultra-wide-angle fixed focal length and a large maximum aperture of f / 1.8. Ideal for creative photographers who want to sharpen perspectives with Nikon d865 camera.
It is equipped with premium optics; the lightweight and versatile lens is suitable for indoor scenes, city and reportage photography, expansive landscapes, underwater scenes, and immersive videos.
The lens design consists of 13 lenses in 11 groups, including two aspherical and two extra-low dispersion lens elements, which help reduce color fringing and spherical lens errors. In addition, a 77mm filter size makes this lens more impressive when viewed from the front than the other f/1.8 lenses.
Focusing is fast and quiet. The front lens does not rotate when focusing, thanks to an internal focusing mechanism, which is useful when using filters. An ultra-wide angle with the shortest focusing distance of 20cm is a lot of fun when you are shooting subjects so close.
With the bright maximum aperture of f/1.8, the depth of field is shallow, background blur (“bokeh”) is subtle, and low-light shots are clear. Further, the high-quality optics guarantee perfect sharpness throughout the area and minimal distortion.
In addition, it offers Ultra Wide Angle that exaggerates the perspectives, enlarges the space, and captures immersive images. Ideal for indoor scenes, city photography and reporting, vast landscapes, underwater scenes, and video recording.
Its large f/1.8 aperture captures unique pictures with shallow depth of field and subtle “bokeh.” You are free to use higher shutter speeds and get crisp shots in low light conditions while still enjoying a very bright image in the viewfinder.
This lens allows you to take superb photos and HD videos due to modern high-definition sensors. State-of-the-art optical construction ensures high definition and contrast and the reproduction of point light sources with significantly reduced sagittal aberration.
It gives Superior Optical Performance by two ED glass lenses and two aspherical lenses that produce crisp, vibrant images. Distortions are effectively reduced for such a wide focal length, while most aberrations and chromatic dispersion are minimized.
It reduces ghost images and stray light for clear shots, even in backlight via Nanocrystalline treatment. Further, its minimum focusing distance (0.2 m) quickly takes close-ups and fills the frame with the subjects. You can enjoy unconstrained portability due to its compact size and lightweight.
| Pros | Cons |
|---|---|
| Bright wide angle | Sensitive to backlight |
| Good build and image quality | |
| Fast and quiet AF |
Conclusion:
The Nikon 20mm f/1.8G is a logical and welcome addition to the 85mm, 50mm, 35mm, and 28mm f1.8 series. A bright ultra-wide angle with the build and image quality offered by this lens is ideal for photos and videos of interiors, street reporting, expansive landscapes, and underwater photography.
Moreover, the exceptionally high center sharpness, the compact dimensions, and the low weight mean that you like to take a Nikon 20 mm f/1.8G on a photo trip with a Nikon D865 or another FX camera.
Nikon AF FX NIKKOR 35mm f/1.4G
The Nikon AF-S NIKKOR 35mm f/1.4G is not a classic portrait lens. However, it has the extraordinary qualities that made it onto our list of landscape lenses for Nikon d865: excellent bokeh, plasticity, and softness.
It shares the same design as Nikon’s entire top-of-the-line lenses. Belonging to the upper class gives out a beautiful gold ring. A black magnesium alloy, a plastic body, and a rubber seal (skirt) on the bayonet provide moisture protection between the camera and lens and ensure reliable operation in harsh environments.
The rubberized manual focus ring is easy to use. There is also a focus switch on the body with the designations A / M and M. There are no other controls – minimalism in everything.
Furthermore, the design of the Nikon AF-S is monolithic; during operation, all its external elements remain stationary, and nothing protrudes.
The optical design of the lens consists of 10 parts in 7 groups. The design uses a single aspherical lens with a Nano Crystal coating, as indicated by the golden letter “N,” located on the body. The diaphragm consists of nine rounded blades, which should positively affect the softness of the bokeh.
An ultrasonic drive is responsible for focusing, which must ensure its speed and accuracy. The minimum focusing distance is 0.3m, making it easier to shoot in confined spaces. However, when it falls in hand, it feels overwhelming. Nevertheless, this feeling disappears a few minutes after the start of the shooting. With an extensive professional camera, the balance is excellent.
It is equipped with an ultrasonic motor for fast and accurate focusing. The autofocus drive works as quietly as the manufacturer claims. As for speed, you will never even think about it. The autofocus speed is at a height, the run time from MDF to infinity is less than a second. So capturing action shots with AF tracking is no problem.
It is enough to get the focusing area on the model’s face when shooting a portrait, and then the lens will do everything by itself. In a focus error, you can constantly adjust it manually using the A / M function, which maintains constant manual focus control.
When it comes to bokeh, it can surprise you with a soft picture, which is much appreciated among lenses of this focal length since harsh patterns have traditionally characterized wide-angle lenses. The lines in the bokeh area are not doubled. Single highlights have a moderately even filling without pronounced, “onion rings.”
| Pros | Cons |
|---|---|
| Smooth and beautiful bokeh | A slight decrease in sharpness with an open aperture |
| Dust and moisture protection | |
| Fast autofocus |
Conclusion:
The AF-S NIKKOR 35mm f / 1.4G is better-suited full-length landscape photography, especially with d865. Thanks to soft bokeh and high sharpness when the aperture is open, they can shoot in any conditions and get a beautiful, “expensive” picture. It is worth mentioning dust and moisture protection.
Final Verdict:
You can shoot landscapes with any camera. Another thing is that DSLRs, cameras with interchangeable optics, will allow you to get a better picture and easier to solve creative problems. A landscape photographer always has a wide-angle lens in his arsenal – a lens with a focal length of 18 to 50 mm.
Recommended Readings (Rated Recommendation)